A crowd is a terrible thing. I know it’s foolish to say so because mostly a crowd has a purpose: commuters, shoppers, that posse of media in my front yard. In a crowd, pretty well everyone has a place to be. But for me, even after all this time, it’s different, unnerving. I look at every face, assess every shape and size. I get entangled in the impossible knot of all those lives: the way they walk, hold their heads; their voices as they pass. Once, near the old bus station, I heard a frantic call, ‘Robbie, Robbie,’ and the accent was English and I said to myself, Don’t turn around. She always said your full name. It’s not her. It can’t be her.
But at the last minute, I did turn, and I saw a woman with her arms outstretched, and a black dog racing away trailing a glittery red lead. And when someone caught the lead as the dog shot past, bringing him up tight like a cartoon character, front paws pedalling in the air, I burst into a crazy cackle. Too loud, too high. And everyone stared
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some with frozen smiles from watching the dog
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because I was a man laughing alone in a crowd. A man who didn’t have a place to go.
Amanda O’Callaghan, “The Turn” (published in This Taste for Silence)